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Lecture
notes:
- Background:
Philosophy, Theatre, Muu ry, David Rokeby, Ken Gregory, Interactive
media art (1996-1999), Teaching 1998-2003, Doctoral studies 1999 ->
- Mlab:
Experimental interactions (1998 Custom interfaces, CIS, Affective interactivities)
- Philosophy:
- Kohti
performanssin grammatologiaa - ajattelun ergonomia ja kirjoittamisen
uudet teknologiat
- Towards Grammatology of Performance – Ergonomics
of Thinking and New Writing Technologies http://ethesis.helsinki.fi/julkaisut/hum/filos/pg/ylitalo/
- Ergonomics
of Thinking: the way we use our body affects the way we think and
the process of thinking.
- Body-mind
question
Exercise and
work combined: introducing physical effort into “non-physical” work.
Ergonomical question as a question of creativity.
- Theatre
and Drama: expressiveness of the body as part of interactive design
(ifxs BLT, Floor of confusion)
- SPR:
Sensing-processing-response
- How and
what is “sensed”? how it is processed? What is the response? What is
the context of sensing device? (pervasive? Ubiquitous? Sculptural? Architectural?)
- HCI <->
HSI (Human- sign-interaction)
- Max as
prototyping and experimentation environment: quick to experiment.
- What
is max?
Originally it was designed for midi controlled sound synthesis programming
in IRCAM. 1990 commercial version for electronic musicians (realtime
control)
1998 MSP introduced
2002 Jitter (matrix and openGl programming)
SoftVns realtime videoprocessing and analysis
Previously hardware (1996 I participated to Rokeby’s workshop in Copenhagen)
- Basic
Stamp: programmable microcontroller (sensor digitiser, robotics control)
- Demo
on max programming
- Demo
on connecting sensors to I-cube and Basic Stamp
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